8 November 2015
It's Remembrance Sunday and I had an irresistible urge to re-watch The Family of Blood whilst doing the ironing. It still holds up well, apart from the Doctor's punishment for the family, which I still think is unnecessary. The final scenes always bring a tear to my eye.
Showing posts with label Family of Blood. Show all posts
Showing posts with label Family of Blood. Show all posts
Sunday, 8 November 2015
Sunday, 9 November 2014
Death in Heaven: Initial thoughts (spoilers)
So what did I do? I turned off everything connected to the internet and sat down to enjoy Partners in Crime and Fires of Pompeii, of course, and to be honest, I enjoyed them both rather more than some of the more recent series.
When the husband finally reappeared, he announced that we would watch Death in Heaven straight away. This may have affected my appreciation of it, as I was half asleep by then. I'll need to watch again to confirm my impression of it.
First impressions though:
As with many season finales, there was too much going on. The action was rushed in places, whilst there were also pauses for emotional scenes that didn't always work, and the plot was somewhat hard to follow in places.
Positives:
Negatives:
In retrospect, I suspect that the theme was designed to fit in with the broadcast on the weekend of Remembrance Day, but at the moment, I think Family of Blood addressed this far more effectively.
When the husband finally reappeared, he announced that we would watch Death in Heaven straight away. This may have affected my appreciation of it, as I was half asleep by then. I'll need to watch again to confirm my impression of it.
First impressions though:
As with many season finales, there was too much going on. The action was rushed in places, whilst there were also pauses for emotional scenes that didn't always work, and the plot was somewhat hard to follow in places.
Positives:
- I like the Missy incarnation of the Master. She's totally bonkers, but also recognisably the same person as the John Simm version.
- Osgood was excellent, and her death was shocking, although it was clear that the writing was on the wall when the Doctor appeared to offer her a trip in the TARDIS.
- The Cyber-Danny also worked well, and was a logical continuation from Doomsday where the converted Yvonne still performs her 'duty to Queen and Country.'
- The pre-credit wind-up with Clara pretending to be the Doctor (which carried over into the opening credits). It was obviously done so that they could have a clip in the trailer of her saying that Clara Oswald never existed, so full marks for an excellent fan teaser.
Negatives:
- Earth Force One and the Doctor-President. (I never cared much for the Valiant, either). The whole idea of a planet-wide response to anything is implausible, and UNIT really ought to know by now that the Doctor doesn't do positions of responsibility.
- I didn't really get the point of the cyber-pollen turning the dead into Cybermen. The original point of Cybermen was that they had replaced parts of their bodies with cybernetics, so why would they need real skeletons, when they could easily use artificial ones? And why harvest human minds to populate the bodies, when they have to delete the emotions that make them human?
- The magic bracelet or whatever it was that allowed one person to 'cross back over' with a living body didn't make sense. Yes, it worked as an emotional climax to the episode, but how was it possible, given that the bodies had been cyber-converted?
- The Cyber-Brig: I suppose it was a nice idea, but I find it somehow disrespectful. And if any of UNIT had to survive, I would have preferred Osgood to the annoying Kate.
In retrospect, I suspect that the theme was designed to fit in with the broadcast on the weekend of Remembrance Day, but at the moment, I think Family of Blood addressed this far more effectively.
Sunday, 19 October 2014
June 2007: losing the plot....
The
Family of Blood was potentially a great story, which was spoiled only by
the unnecessary sequence of the Doctor punishing the family. It would have
worked perfectly well either to have them die in the explosion of their ship or
alternatively to live out their remaining existence as humans without access to
their alien technology which was destroyed with their ship. However, the
sequence of the children shooting the scarecrows, with the hymn playing in the
background, was truly moving, as were the final scenes of Latimer and
Hutchinson in the trenches, and then the old Latimer at the Cenotaph.
Blink
had a lot to live up to, being written by Steven Moffat. As an exercise in
writing an episode without much use of the lead actors, or CGI effects, it was
exemplary, though it was disappointing that he failed to get in a line about
bananas. At times it seemed a bit like
an episode of Coupling, but there is
nothing wrong with that. It doesn’t stand out as the best of the season, as
Moffat’s earlier episodes have done, but it is so much better than Love and Monsters.
I found Utopia rather like old-fashioned Doctor Who (quarry, savages, well-meaning scientist etc.) but in a
good way, and it was good to see Captain Jack again.
To Leeds
for business meetings. In the hotel bar afterwards, one of my colleagues
started enthusing about Saturday’s episode and how good it was to see Captain
Jack again, much to bemusement of the others, who started reminiscing about The Archers in revenge.
The power-crazed loon in charge has
now completely flipped. I don’t mean the Master, who was always thus, but
Russell T Davies. Has he completely lost the plot? Any plot?
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