Sunday, 19 October 2014

New New Doctor?

January 2009

It has been been an exciting few months.  First there was David Tennant’s live announcement at the National TV Awards that he would not be playing the Doctor in series 5.  Although the timing was a surprise, the actual announcement was not that much of a shock.  Any actor is likely to be wary of staying in one role too long, and although I had been hoping that Tennant would stay for at last part of Steven Moffat’s first season in charge, I had an inkling that this was not going to happen when Russell T Davies revealed at the Cheltenham Literature Festival that he had already written the penultimate line of his final ‘special’.
Then there was the media excitement over the casting of the next incumbent, coupled, cleverly, with the Next Doctor hype. Quite how Russell T Davies and co managed to milk the speculation following Tennant’s departure to promote The Next Doctor when it was really fairly clear that the character played by David Morrissey in the Christmas Special couldn’t really be the next Doctor, is a mystery.  Two major stumbling blocks were the fact that Tennant was contracted to appear in further specials (OK , so I suppose he could be playing Doctor 10.2, who has escaped from the alternative universe, but that seems rather contrived) and the fact that Morrissey’s character, as shown in the trailer, was very clearly imitating the Tenth Doctor (“Allons-y” etc.) whereas a real new incarnation would have his own characteristics.

Meanwhile all the usual old chestnuts are kicked around in the press.  If not Morrissey, could it be a woman? Catherine Zeta Jones? Billie Piper? [Yawn].
Then, in December, Tennant was invalided out of Hamlet for back surgery, missing his London press night.  Hugely disappointing for him, and for the fans who had managed to get tickets.  Also worrying for the Doctor Who production team, who were expecting him to start filming again in mid-January. However, even though he was unable to attend the press launch for the Christmas special he apparently recovered sufficiently to do a last-minute round of radio interviews. Meanwhile, David Morrissey’s position as a bookies’ favourite for the role seemed to slump after the press launch. 

Christmas Day, and all became clear (well, the reasons for Tennant’s bad back, anyway – look at all that wire work!).  Obviously the Dickensian setting was used not only for its ‘Christmassy’ appeal, but to enable them to include a fob watch in Morrissey’s costume as a red herring.
Into the New Year, and speculation mounted about the significance of an episode of Doctor Who Confidential scheduled for BBC1 on 3 January. Then it was confirmed that the casting announcement will indeed be made during this show.  In trailers for the special programme David Tennant looked as if he could scarcely conceal his glee that someone else was going to have to cope with the massive media interest for a change. 

Let’s just take stock here. They actually broadcast a special programme to tell us who was being cast in a role which would not start filming for about six months and would not be seen on the screen for a year, and it got one of the highest audience figures of the day.  

Finally, all was revealed.  The collective jaws of the nation dropped as the youngster with the interesting hairdo appeared on screen.  I have to admit that my first reaction was not favourable, mainly because Matt Smith seemed a little like a younger, unformed version of David Tennant, and I was hoping for more of a contrast (such as Julian Rhind-Tutt or Rupert Penry-Jones).  I also realised that I must have seen him in The Ruby in the Smoke without having noticed him at all.  However, I trust Steven Moffat, and if he says that Matt Smith was the clear favourite out of all those auditioned, there must be something about him. Time will tell.
However, David Tennant managed to trump the announcement with a surprise return to Hamlet on the very night of the announcement, and completed the run to rave reviews.* That is true star quality.  Mr Smith (convenient name, that) will have a lot to live up to.
*I got a late ticket for London in January, having seen the preview in Stratford.

Series 1 reflections


The New Series
 
 It’s all over now until Christmas.  So time to sum up the long-awaited new series.

The short episodes mean that the plot is compressed. A direct result of this is the loss of the  ‘Doctor is suspected of causing the trouble/locked up’ bit that usually occupies the second half of episode one and the repeated going to and fro/running up and down corridors that takes up the rest of episode two and episode three. This is not much of a problem. We have also lost any real attempt to explain the resolution of the plot, which may be more of a problem.

On the other hand, the characters are well developed.  Even the minor characters, such as the plumber in The End of the World, are people rather than ciphers. But this becomes a bit excessive in the case of Rose. Giving her a family background is one thing, but returning home repeatedly in order to hear Jackie whinging is going too far. Or rather not far enough.   I for one would rather see an alien planet occasionally than see Rose’s mother again.  Ever.

Rose herself is an excellent companion.  Once she becomes used to the idea of aliens, she takes the adventures in her stride, without twisting her ankle once.  On several occasions she, rather than the Doctor, brings about the resolution of the problem.

Which brings me to the weakness of the series.  This Doctor is certainly alien and manic enough, but is he heroic enough? He seems to need rescuing rather a lot of the time.  In both the first and last episodes it is Rose’s action that saves the day.  Even Charles Dickens and Rose’s father seem to have more of a clue. I can only assume that the Time War must have been very traumatic.  So it is all the more amazing that a 19-year old from South London can apparently defeat a massive Dalek army using nothing more than a tow truck and a TARDIS.  As I said above, there is often little attempt to explain the resolution of the plot.

On the whole, though, I think that Russell T Davies has taken the right decision to leave out the technobabble. We are left with believable characters, entertaining dialogue and amazing effects.  What does it matter that The End of the World doesn’t really have a plot at all? It looks great. The TARDIS is, er, fantastic, and the aliens are so…..alien.  Some corners have been cut during the series of course, this is the BBC. The Satellite 5 set is reused, and the Dalek invasion of earth takes place off-screen. But it doesn’t really matter as the way in which the individual episodes fit together to form a whole makes this work dramatically.  The second visit to Satellite 5 allows the Doctor to confront the consequences of his actions in The Long Game, just as in the previous episode, Boom Town, he had to face the consequences of his actions in World War Three. The focus of The Parting of the Ways is on the Doctor’s reaction to the Dalek threat, made all the more poignant by the side of him that was revealed in Dalek, not on the invasion of our planet thousands of years in the future.

So as a whole, the series worked well.  Though it was just a little bit on the camp side.  Well, quite a lot on the camp side actually, especially after Captain Jack joined the crew. Even Jonathan Ross commented on this on his Radio 2 Saturday morning show, so I am not imagining it.  On the other hand, for most of the run it was going out sandwiched between Graham Norton and Julian Clary (oo-er) so it fits right in to Saturday nights. And the fact that the series was mentioned at all in an interview between Ross and actress Kathy Burk is a sign of its success.

Perhaps the best thing about the new series is that as a result of both Russell T Davies’ inspired production and the BBC’s decision to promote it properly, Doctor Who is once again popular Saturday night entertainment.  I’m constantly being surprised by the number of my colleagues who are watching it avidly. 

I’m definitely looking forward to Christmas, for the first time since Santa stopped calling.

 

 

 

 

June 2007: losing the plot....


2 June 2007

The Family of Blood was potentially a great story, which was spoiled only by the unnecessary sequence of the Doctor punishing the family. It would have worked perfectly well either to have them die in the explosion of their ship or alternatively to live out their remaining existence as humans without access to their alien technology which was destroyed with their ship. However, the sequence of the children shooting the scarecrows, with the hymn playing in the background, was truly moving, as were the final scenes of Latimer and Hutchinson in the trenches, and then the old Latimer at the Cenotaph.

 9 June 2007

Blink had a lot to live up to, being written by Steven Moffat. As an exercise in writing an episode without much use of the lead actors, or CGI effects, it was exemplary, though it was disappointing that he failed to get in a line about bananas.  At times it seemed a bit like an episode of Coupling, but there is nothing wrong with that. It doesn’t stand out as the best of the season, as Moffat’s earlier episodes have done, but it is so much better than Love and Monsters.

16 June 2007

I found Utopia rather like old-fashioned Doctor Who (quarry, savages, well-meaning scientist etc.) but in a good way, and it was good to see Captain Jack again.

20 June 2007

To Leeds for business meetings. In the hotel bar afterwards, one of my colleagues started enthusing about Saturday’s episode and how good it was to see Captain Jack again, much to bemusement of the others, who started reminiscing about The Archers in revenge.

23 June 2007

The power-crazed loon in charge has now completely flipped. I don’t mean the Master, who was always thus, but Russell T Davies. Has he completely lost the plot? Any plot?

 

May 2007: the Doctor becomes ubiquitous


5 May 2007

Back to modern day England for an encounter with a dangerous monster – but enough of Mrs Jones; what about Professor Lazarus?  Mark Gatiss was excellent, as was his prosthetic ’76 years old’ make-up. The CGI monster also worked well, and moved more convincingly that the Reapers and Krillitanes. The episode looked good, and there was some ostentatious clue-dropping by one of Mr Saxon’s henchmen. Maybe too many false climaxes for perfection, though.  Saw a bit of David Tennant on Parkinson later.  Parkinson clearly hasn’t watched it and was not very well briefed, but DT managed OK.

18 May 2007

Watched Jonathan Ross show as John Barrowman and Andrew Lloyd Webber were due to be on it, with clip from John Barrowman’s return to Doctor Who. For once, JB was totally upstaged by Ross’ previous guest, the completely insane Janice Dickinson. Oliver Reed was nothing compared with her.  God knows what she was on.

19 May 2007

42  was set in real time, on a space ship hurtling towards a sun.  It looked wonderful, and there was real tension, but I didn’t actually enjoy it that much.  I think it reminded me too much of Star Trek TNG.

23 May 2007

To the doctor’s surgery for pre-holiday vaccinations.  Now I know Doctor Who is ubiquitous – they had a couple of the ‘quick reads’ books in the waiting room.  Makes a change from last year’s magazines, anyway. 

According to London Lite, Kylie Minogue is taking acting lessons so she can play a Cyberwoman.  I really hope not!

26 May 2007

Human Nature was much better than I feared. The scarecrows were particularly creepy.

 

April 2007: a monster has been created

7 April 2007

The Doctor meets Shakespeare. It looked fantastic, the Shakespeare in jokes were entertaining, and we even got a bedroom scene. The only downside was that the witches were not quite as scary as they might have been.  But Angela Pleasence’s Queen Elizabeth made up for that.

14 April 2007

Mix up Ardal O’Hanlon, a basket of kittens, car-sharing policies, the Face of Boe, a monster from the Troughton era and an old favourite hymn, and what do you get? A surprisingly good story.  This series just gets better and better.  Slightly embarrassing that I spotted the Macra before the Doctor revealed all, though. I shouted out 'Macra!' at the first sign of a waving claw.  Husband not impressed that I spotted it before he did. What sort of monster has he created?
 
So the Doctor is not alone.  OK, my guess is that the rumours about John Simm playing the Master are true, and that he is also the Doctor’s brother (cf  “I had a brother once”).

21April 2007

Doctor Who’s answer to Snakes on a PlaneDaleks in Manhattan. The ending was rather spoiled by having been given away on the cover of Radio Times. But the recreation of 1930s New York looked wonderful – especially the lift in the Empire State Building, which was perfect for a Dalek.

28 April 2007

Well, I guessed slightly wrong.  I thought that the new human/Dalek Sec hybrid would be a power-crazed maniac and the Doctor would have to form an alliance with the other Daleks to defeat him. In fact, the new Dalek Sec seemed much more reasonable and human than Mr Diagoras had been. The Doctor formed an alliance with him, but was thwarted by the other Daleks.  A very strange story.  Interesting at the end when the Doctor offered to help the one remaining Dalek (Caan) – he has clearly moved on a lot since his encounter with the Dalek in van Statten’s basement.

March 2007: Enter Martha Jones

31 March 2007

Well, after a week of David Tennant on Graham Norton, John Barrowman on Charlotte Church and everyone on a Weakest Link special, it was finally time for the start of series 3.  Or, as it may become known, ‘The One with the Space Rhinos’.  A bit of a conflation of the previous two season starts – starting from the point of view of a new companion whose everyday existence is changed as a result of an encounter with the Doctor – and set in a hospital in an alien environment. Oh, and the Doctor once again gets to kiss his assistant, no, sorry, make that ‘genetic imprint’. Actually, I thought it was the best season start so far.  The villainess, an apparently sweet old lady who brings her own straw for sucking her victims’ blood is really rather chilling, and the prosthetic Judoon head is very convincing.

And yes, Martha, it IS bigger on the inside.

December 2006: return of the Robot Santas

25 December 2006

The Runaway Bride     

Russell T Davies is on record as saying that he likes Christmassy Christmas specials.  None of your Lovejoy Goes to Prague for him.  No surprises then, that The Runaway Bride was set on Christmas Eve.  But the Christmassy elements were mostly a reprise of last year’s Christmas Invasion: robot Santas, a killer Christmas tree, a snatch of Slade, a snowy ending.  The cynical might think that he was just going through the motions and writing a Christmas special by numbers.  The more charitably inclined might cling to the possibility that he intends to start a new Christmas tradition, with robot Santas becoming as much a part of the festivities as Wizzard and Christmas cards with penguins on.

Stripping away the Christmas wrapping, we are left with an episode that is fairly light on plot, with some great set pieces and entertaining one-liners.  Catherine Tate is no doubt a talented actress, but all her characters are deeply annoying.  Donna was no exception.  However this did set up some great dialogue.  Donna’s failure to grasp the “bigger picture” owing to being hung-over or scuba diving during recent alien invasions was amusing. However my favourite line was during the chase scene along the motorway. The Doctor is trying to persuade Donna to leap out of the taxi and into the TARDIS.  Donna protests “I’m in my wedding dress!” and the Doctor replies “Yes, you look lovely.  Now JUMP!” Other dialogue triumphs included “this time it’s Personnel’, but am I the only one who noticed that the “doesn’t even know where Germany is” line is straight out of Bridget Jones: the Edge of Reason?

The chase sequence itself was excellent. We have never seen the TARDIS doing anything quite like that before.  The Doctor’s piloting skills have clearly improved since last Christmas, though not much.

I was also impressed by the Empress of Racnoss costume, which looked authentically spidery.  But I did feel that Sarah Parish was rather wasted – it could have been anyone overacting away in there.  There were some large holes in the plot – and I don’t just mean the one down which the Racnoss children were flushed at the end.  The Racnoss ship has been at the centre of the Earth since the planet was formed.  The Empress, who has been lurking somewhere since the Dark Times without anyone noticing her fairly distinctive-looking ship, suddenly decides to take advantage of a newly-vacant Torchwood base under the Thames Barrier to bore a hole to get them. Surely she could have found somewhere rather more remote to commence operations?  And with all that access to alien technology, is a Segway really the best means of transport Torchwood could come up with to get from the basement of HC Clements to the secret base?

Still, it’s Christmas, and the Doctor has only just been through a traumatic experience with Daleks and Cybermen and jettisoning Rose in an alternative universe.  He deserves a nice easy adventure.  Pass the turkey sandwiches.

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